Posts Tagged ‘pr week’

…Free photo and video support from the Press Association consultancy, TNR Communications

A competition was launched in March 2010, offering one UK charity a unique opportunity to gain valuable media exposure through a photography and video campaign, produced for free by a specialist part of the Press Association.

Any UK registered charity with an upcoming media campaign is invited to apply for their chance to win a free photography and video consultation with the Press Association’s in-house communications agency, TNR, who will advise on the best way to gain coverage in the UK’s print and online press.   A Press Association photographer will then offer their ‘Fleet Street’ knowledge to take pictures that support the winner’s campaign, the best of which will be offered directly to the Picture Wire.  The winner will also get a ‘Videocall’ of their story filmed, edited and uploaded to the UK’s top five video streaming sites. 

With over 160,000 registered charities in England and Wales, publicity to drive campaign awareness and increase public support is in great demand.  TNR’s consultants have hands-on experience of what works and what doesn’t within the media and are in an ideal position to advise how that crucial press coverage can be achieved. 

Multimedia content can have a substantial impact on PR coverage. However, on many occasions, charities simply do not have the budget for it.  The charity competition aims to give something back to the UK’s charity sector, with the gift of a £2,500 package of PR services aimed at increasing the chances of exposure for one worthy PR campaign.

TNR’s Managing Director, Claire Southeard, said “We are very proud to initiate this competition and hope we can offer some much needed support and guidance to a very worthy cause.  We have spent a long time building up our experience and knowledge of what works in broadcast, photography and online and are delighted to have found this opportunity to share the benefit of that expertise with a UK charity.”

Charities are invited to apply for the competition through a dedicated page on the TNR website where they can enter details of their chosen campaign and describe how winning this competition could benefit their organisation. The campaign must be scheduled to take place before the end of June 2010 and the deadline for submissions is Friday 16th April.  A judging panel will choose five finalists, from which one winner will be announced on Friday 23rd April.

Related Articles:

http://www.prweek.com/uk/news/993821/Week-Charities/

http://www.thirdsector.co.uk/news/Article/992653/Free-communications-support-charities-won/

http://www.consortcharity.com/news-details.aspx?newsID=27997

http://www.ccwa.org.uk/v2/index.php?section_list=News&subsection=CCWA_top_stories&content=2118

http://www.fundingcentral.org.uk/SchemeList.aspx?NB=2&RT=2&BK=4&ST=0&WCU=CBC=View,DSCODE=OTSSCMLIVE,SCHEMEID=248-S34853

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The debate about the role social media has to play within PR strategy has been evolving for months.  For those of us working in the industry, it’s a very exciting time to be a part of a movement that is changing the way we communicate.  

Our own experience is that the use of these platforms has enabled us to reach audiences in a very different way and bring about a conversation which has changed the nature of the relationship we have with our customers for the better.  And we’re not alone.  A new survey featured in today’s PR Week has revealed that marketing professionals are set to invest heavily in social media this year by shifting budget away from more traditional direct marketing activity.  However, it would be a mistake to think it’s a straight forward thing to do or something to approach lightly.

It’s taken a great deal of time and effort for us to establish ourselves in the ‘space’ and a great deal of discipline to grow our contacts in a way that is credible and relevant.  We spent months researching the medium so we could fully understand it before jumping in with our eyes open and then, with open arms!  And the impact has been brilliant.

A viral video we produced recently for the launch of new computer games, Rabbids, got more than 30,000 hits on YouTube.  Moreover, the comments posted by interested viewers both on the YouTube page itself but also on the peripheral social media networks including Twitter, Facebook etc, then created a public dialogue about the video and the stunt itself which pushed the story further.  Not all the comments were positive, sure, but most were and the reach was indisputable.

Last year the no frills US airline, Jet Blue made the controversial decision to move its customer feedback service entirely to its Twitter feed which meant every criticism, every complaint, every question was there for all to see.  But then again, so was their response.  By making the process so public, the quality of their customer service improved so much that the company saw the reputation of its brand soar amongst consumers.  In a Twitter trends hotlist in August, Jet Blue came top of the list of favourite airlines with more than double the number of dedicated followers than its nearest rival.

Now that’s what you want!

I don’t believe all publicity is good publicity.  However, I do believe that in order to make an informed choice about when to engage in a public forum, you first have to know what’s being said.  As such, monitoring social media is one of the most important elements of any e-marketing strategy.  What you then do to engage with that audience and make the most of the opportunities afforded by online dialogue is up to you.

It’s an ever changing, evolving platform in which to engage with friends, contemporaries, clients and industry colleagues and requires constant monitoring to ensure that you don’t fall too far behind the curve.  The pitfalls are there if you’re not careful but if you truly embrace the idea of conversation, engagement and transparency, then it can work for you. 

We’ve thrown our hat into the ring.  We’re ‘into’ it and we’re developing services all the time to help our clients take advantage of the opportunities offered online but I’d be really interested to hear other views about the use of social media in PR and where it’s going.  What works?  What doesn’t?  Is it a waste of time?

post by Claire Southeard (Managing Director for TNR Communications)

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Interesting piece in the current issue of PR Week about concerns we could be seeing the ‘Slow death of the embargo’.  The Wall Street Journal is believed to have introduced a new policy stipulating that they will only honour embargos on exclusive stories. It’s a change of direction that’s obviously brought on by the pressure to be first with breaking news amid increasing competition from other online media outlets especially bloggers who traditionally have been more cavalier with embargos.

Certain newspapers may feel that they can’t afford the niceties of sitting on embargoed stories when specialist blogs are prepared to ‘publish and be dammed’. News has moved on it’s no longer written up today printed tonight and read in papers tomorrow, it’s available instantly & constantly via multiple formats.

The walls have come down and the means of news production are now available to anyone. In that light embargos can seem antiquated, but they still have a place, they just need to be used with care and not as a ‘catch all’ control mechanism.

PR Week editor Danny Rogers talks about embargoes as being “a lazy means of dealing with the media.” The WSJ and the blogs have stirred things up & if that stops these ‘lazy’ embargoes it’s probably no bad thing.

So what could this it mean for photos? I always feel the best way to handle a press PR photo is to use embargoes as sparingly as possible. Basically, ‘take it, get it out, get it in!’ Getting your pictures in the press is always hard enough without making it harder for yourself by putting embargoes across the top of them unless they’re really necessary.

Obviously certain photos because of logistics or availability need to be be taken beforehand and held back. Journalists will understand that and personal relationships, trust and exclusives will always play a role in this business. But maybe the shake up in attitudes towards embargoes generally will make people look at picture embargoes a bit harder too. Using embargoes where they aren’t really appropriate, such as on pictures taken in public places or of stunts that are open knowledge may start to become a thing of the past.

In this climate when the media is crying out for good, free to use PR copy, it’s unnecessary to shackle every story & picture with an embargo. Nobody can really control the media, instead we just need to continue to work with it making content that the press will want to use now, not next week.

Post by Tim Kerr (Director & Picture Editor of PA Photocall)

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There’s an interesting Thought Leader Series supplement in last week’s PR Week on ‘Consumer PR’. Amid all the talk of PR’s response to the changing PR environment & multiple media platforms there was a good bread and butter question thrown at the contributors; ‘Has your attitude to the use of celebrities in campaigns changed over the past year?’

The general consensus was that celebrities remained very powerful promotional tools whatever the economic climate, but the connection with the client and the project needed to be right.

Speaking specifically from a photography point of view that’s something I’d agree with. Celebrities work in PR photos because they instantly give the picture something identifiable. Photographers and PR’s might sit around in client meetings and seminars mulling over the possible death of celebrity culture and how we’re all much more interested in growing vegetables, or knitting our own shoes or whatever. But then we’ll go for lunch & read Heat Magazine or talk about Peter & Katie like everyone else.

Diarmuid Gavin tend to tomato plants at Cooks Farm Allotment in south London for the launch of Morrisons' Let's Grow campaign which encourages children to grow their own fresh fruit and veg at school. Geoff Caddick/PA Photocall

Diarmuid Gavin tend to tomato plants at Cooks Farm Allotment in south London for the launch of Morrisons' Let's Grow campaign which encourages children to grow their own fresh fruit and veg at school. Geoff Caddick/PA Photocall


It’s a fact in our world that we connect with celebrities. We associate them with certain lifestyles, with certain characteristics that we aspire to. Celebrities are in effect ‘brands’ themselves and the best PR photos come when the brand values of the celebrity and the brand value of the client fit. Then you have a picture that works, that catches a Picture Editor’s eye and stands up.

Melinda Messenger launches Ultimo's latest in-shop boutique within Debenhams at Westfield Shopping Centre, London.

Melinda Messenger launches Ultimo's latest in-shop boutique within Debenhams at Westfield Shopping Centre, London.

To often we’ll see PR photos where you can tell straight away the client just went for the cheapest Big Brother reject available and there’s no obvious link & the picture feels clunky because of it. Picture Editors like PR photos to be simple. A good celeb with a good connection intuitively does that. If you have to explain too hard why the celeb is being used it’s probably not going to work, so always look for the fit.

Post by Tim Kerr (Director & Picture Editor for PA Photocall)

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