Archive for the ‘PR Photography’ Category

Valentine’s Day is always a good day for press photos. Picture editors aren’t necessarily the most romantic of people. Good souls they all are, but wading through war, famine, disaster, left-to-rights, big cheques, handshakes and handouts tens of thousands of times a day doesn’t leave much room for candles & poetry.

However once a year we get to indulge our love for nuzzling swans, swathes of red roses and eccentric marriage proposals. If there’s a scantily clad model promoting Valentine lingerie, so much the better…

Lucy Pinder encourages couples to turn down their heating and snuggle up for Valentines Day with the Energy Saving Trust

From a PR point of view Valentine’s Day represents one of those fantastic opportunities where at least part of the news agenda is fixed in advance. Valentines Day themed PR pictures or stunts – so long as the branding is managed – do what all the best PR press shots do; they give the media what they want when they want it.

Swans

PR shots are usually trying to gain coverage on a date that is specific or important to the clients campaign or announcement. However on occasions such as Valentine’s Day, Easter Sunday, first day of Wimbledon, Halloween, etc. supply and demand sync up. Papers need related picture stories and in an era of limited staff photographers, PR’s, with a little thought and creativity, can be in a good place to provide them.

In the past few years we’ve been commissioned to cover a living Valentine’s billboard for MasterCard, arranged Alesha Dixon in a bath filled with red condoms for the Dept of Health and photographed glamour model Lucy Pinder encouraging us to turn down the lights for love on behalf of Energy Saving Trust. The latter being probably the only time such environment concerns made the front page of The Daily Sport – proof indeed that the right picture can engage a whole new audience.

Alesha Dixon

I don’t know what 2011 will hold but I’m confident that even in these difficult times romance isn’t dead and I look forward to seeing some equally amorous images brightening up the papers and news websites once again come February 14th.

Post by Tim Kerr (Picture Editor and Director @TNR Communications)

Share

I recently came across Frank Chimero’s ‘Design Nobility Pyramid’ concept via photography blog aphotoeditor.com

Chimero teaches graphic design & typography at Portland State University as well as being managing partner of Thinking for a Living.

His ‘Design Nobility Pyramid’ forms part of his frequent lectures on design, but it can be equally relevant to effective PR photography.

Chimero believes ‘delight‘ in design is success in it’s highest, truest most noble form. When innovation and clarity come together you find ‘delight‘ and that he argues is perfect design.

Looking at PR photography the clients aim is ultimately to inform and persuade. We let consumers know about the product or initiative and encourage them to buy or support it.

But too often we forget that to do that, first we need to delight, or entertain, or amuse…

If it’s all information and persuasion the public won’t be interested. Great PR pictures need to delight first. That’s the most important thing and the information and persuasion will be better received as a result.

Be it our picture for the National Lottery of ballet dancers on Millennium Bridge,

National Lottery Love UK campaign. Geoff Caddick/TNR

National Lottery Love UK campaign. Geoff Caddick/TNR

a more recent shot of  Cybermen on the Underground for the Dr Who Experience,

Cybermen take command of the London Underground

Cybermen take command of the London Underground. Matt Crossick/TNR

or workmen getting the first glimpse of Wonderbra’s 3D billboard,

Wonderbra 3D Billboard. Geoff Caddick/TNR

Wonderbra 3D Billboard. Geoff Caddick/TNR

it’s the ‘delight‘ in the aesthetics, the composition, the novelty, the fun of the image that captures the viewers interest.

That is what makes us look twice at the picture, show it to our friends, twitter about it. That ‘delight‘, that enjoyment, that connection paves the way for the pictures commercial purpose to inform and persuade. But the aim to delight should always come first.

http://work.frankchimero.com/
www.aphotoeditor.com

Post by Tim Kerr (Director and Head of Photography at TNR Communications)

Share

When Nestlé asked Frank PR to drive national coverage for Skinny Cow Hot Chocolate and increase the number of fans on its Facebook page, it drafted in Kelly Brook to front a campaign allowing women to swap their unwanted clothes guilt free. The resulting coverage drove 20,000 new Facebook fans and raised £15,000 for Marie Curie Cancer Care.


Campaign: The Skinny Cow Swap Shop
Client: Nestlé’s Skinny Cow Hot Chocolate
PR Team: Frank PR
Timing: January 2010 – March 2010
Budget: £125,000

Overview
Nestlé’s Skinny Cow Hot Chocolate launched the Oh Yes You Can Campaign platform in order to highlight the low-calorie (37 cal per mug) content of Skinny Cow Hot Chocolate. To build and extend this platform, Skinny Cow wanted to engage women via national press, social media and also build on their existing Facebook base.

Kelly Brook donates items of clothing towards the Skinny Cow Swap Shop

Kelly Brook donates items of clothing towards the Skinny Cow Swap Shop

Objectives
Frank PR was asked to deliver the Oh Yes You Can messaging to Skinny Cow’s target audience and deliver national coverage in key target titles and online for Skinny Cow. The team was charged with generating as much buzz coverage as possible pre, during and post the event, and adding as many fans as possible to the existing Skinny Cow Facebook page. Finally the agency was asked to raise money for Marie Curie Cancer Care, Nestlé UK’s charity of choice for 2009 and 2010.

Strategy and implementation
To leverage the Oh Yes You Can campaign we decided to create the Skinny Cow Swap Shop which allows consumers a guilt-free opportunity to exchange their unwanted clothes for celebrity, designer and other women’s items. We created two physical ‘pop-up’ shops and also online versions at the Skinny Cow Facebook page.

The team secured Kelly Brook (pictured) to front the campaign and she was used in media interviews, vodcasts and imagery to drive traffic to the Facebook page. Once there, consumers were invited to become a fan of Skinny Cow and enter a random draw to be in with a chance to attend one of the two pop-up swap shops (in London and Manchester) which were organised, branded and managed by Frank.

The physical swap shops were created to look indulgent and luxurious with great clothes and accessories on offer. There was also plenty of Skinny Cow hot chocolate being sampled. Influential bloggers and key opinion leaders were invited to attend the swap shops and get a sneak preview which helped generate buzz online.

Kelly Brook attended the London swap shop where photography and video content for online was captured by TNR communications. This was then released to all national, consumer and online media to drive further traffic to the Facebook site. Those Skinny Cow fans who were not invited to attend one of the events were automatically able to participate in the skinny dip, an online version of the swap shop, where women could ‘tag’ an item and win it.

For both, the swap shop and online skinny dip celebrity clothes and retailer donations were sourced by the team to help create further excitement around the event. For each celebrity/retailer donation made Skinny Cow made a contribution to Marie Curie Cancer Care, Nestlé UK’s charity of choice for 2009 and 2010. The charity also had a presence on the Facebook page and at the swap shops so consumers could also make a donation if they wished.

Results

In total 95 pieces of coverage were achieved including the front pages of the Daily Express, The Metro, Look, Now, Cosmopolitan online and Heat generating a PR value of £645,978.

As a result of the campaign 20,000 additional consumers joined the Skinny Cow Facebook page with the page seeing six times more wall posts than before the campaign launched and more than 1,000 extra comments posted on the wall.
14,500 consumers entered the Skinny Dip with 10% of them staying on the site and participating all day. In total more than 150 retailer and celeb items were donated and a total of £15,000 was raised for Marie Curie Cancer Care.

Click here to watch the Video produced for The Skinny Cow Swap Shop
Share
Nikolay Bojilov from Bulgaria winner of the Triumph Inspiration Award 2010 poses with Helena Christensen and a model wearing the winning design Morphology on the catwalk at the Triumph Inspiration Award 2010 at the Old Sorting Office in central London.

Nikolay Bojilov from Bulgaria winner of the Triumph Inspiration Award 2010 poses with Helena Christensen and a model wearing the winning design Morphology on the catwalk at the Triumph Inspiration Award 2010 at the Old Sorting Office in central London.

The Triumph Inspiration Award (London, 16 September 2010) showcased original lingerie designs from 27 international fashion students each of whom won their place in the global final with a piece inspired by the theme of “Shape Sensation”. One winner and two runner-ups were announced on the night, judged by a panel of fashion royalty including Helena Christensen, Rankin and Matthew Williamson.

Top fashion PR agency, Yellowdoor and their client, Triumph appointed TNR to provide broadcast, online and photography PR support with the aim of securing global coverage of the London event.

The first challenge was to agree the logistics of producing media materials to meet the requirements of journalists in multiple countries:

  • Priorities were set for the TV and online B-Roll which, at 15 minutes, meant there was not enough space to include regionalized content for all 27 countries’ finalists.  Instead, elements were selected which made the ‘Award’ event a news story in its own right (e.g. the celebrity guests, the top three designs, the winning moment etc).
  • We also made the 27 VTs that featured the finalists (used in the live show), available to both TV and online media as downloadable video files.
  • Our photography featured all 27 designs plus key ‘news’ moments from the evening (e.g. red carpet, judges posing with the winner etc) to cater for the 27 countries’ requirements and any others for whom a fashion story of this calibre would be of interest.

Being a live show, it was vital the video and photography teams worked through every detail of the Awards schedule and floor plan with the event company in advance to ensure every angle was covered by our TV cameras and that our photographers could get a clear shot of each design.  The result was three camera teams and two photographers strategically positioned to record the catwalk event, the winning moment and to gather news collateral backstage and post-event.  This all had to be achieved while taking into consideration the needs of attending media who were positioned in press pens on the red carpet and at the end of the runway.

Ultimately, the story’s newsworthiness was dependent on the materials being made available to media in a timely way i.e. for use in news bulletins that night and the following morning.  Therefore, the next step was to lay out a shooting and editing itinerary that matched the Award programme and allowed us to push out materials within a couple of hours of the winner being announced.  This meant having two editors on site who were fed footage and stills throughout the event by a runner.

Once edited, the photographs were sent to the Press Association to be turned around for the wire that night.  The photographs were also uploaded to the Online Press Office during the night so that media outside the UK could also have direct access for immediate coverage.  Local PRs in every country were provided with details of the Online Press Office to pass on to their local media contacts.

The distribution of video footage across the world is complex and makes use of multiple satellites and fibre connections to media towers similar to the BT Tower in London.  Identifying these and arranging for the necessary feeds to take place within the various time zones we were targeting was imperative.  Two feeds went out during the night allowing access for Australia and Asia for their lunchtime programmes, breakfast coverage in Europe and evening coverage in the US.

However, it was the preparation and execution of the international sell in to broadcasters and online media to inform them of the story and available video that was pivotal to the success of the overall campaign. Months of research, planning and clear communication between the teams at Yellowdoor, Triumph and TNR took place to establish areas of responsibility including;

  • How current, strong relationships with the mainstream media and trade press would be split between the different teams for the most impact and effective use of time
  • How we would need to stagger working hours to ensure all countries were contacted within their working day (this meant some very early mornings and late finishes for the TNR media relations team!)
  • How to incorporate conversations with video desks at the traditional press (e.g. newspapers) into both the online and press sell-ins.
  • Coordinating with local PR teams who were also liaising with press in their country.

The result was that the footage was picked up all over the world by major international media including both AP and Reuters (global news agencies), BBC (UK), Sky Television (Australia), RAI (Italy), Fuji TV (Japan), RTL (Germany) and CCTV (China) and many more.

The B-Roll footage for the event was also picked up by the Press Association Video wire and distributed to online media outlets in the UK including the Independent, The Evening Standard and Yahoo.

Click here to watch the A-Roll footage for the Triumph Inspiration Awards 2010

And for another viewpoint…

Fashion Bloggers viewpoint from the night:

Capulets Couture

The Style PA

Fashion Editor at large

Katie Chutzpah

Share

…Free photo and video support from the Press Association consultancy, TNR Communications

A competition was launched in March 2010, offering one UK charity a unique opportunity to gain valuable media exposure through a photography and video campaign, produced for free by a specialist part of the Press Association.

Any UK registered charity with an upcoming media campaign is invited to apply for their chance to win a free photography and video consultation with the Press Association’s in-house communications agency, TNR, who will advise on the best way to gain coverage in the UK’s print and online press.   A Press Association photographer will then offer their ‘Fleet Street’ knowledge to take pictures that support the winner’s campaign, the best of which will be offered directly to the Picture Wire.  The winner will also get a ‘Videocall’ of their story filmed, edited and uploaded to the UK’s top five video streaming sites. 

With over 160,000 registered charities in England and Wales, publicity to drive campaign awareness and increase public support is in great demand.  TNR’s consultants have hands-on experience of what works and what doesn’t within the media and are in an ideal position to advise how that crucial press coverage can be achieved. 

Multimedia content can have a substantial impact on PR coverage. However, on many occasions, charities simply do not have the budget for it.  The charity competition aims to give something back to the UK’s charity sector, with the gift of a £2,500 package of PR services aimed at increasing the chances of exposure for one worthy PR campaign.

TNR’s Managing Director, Claire Southeard, said “We are very proud to initiate this competition and hope we can offer some much needed support and guidance to a very worthy cause.  We have spent a long time building up our experience and knowledge of what works in broadcast, photography and online and are delighted to have found this opportunity to share the benefit of that expertise with a UK charity.”

Charities are invited to apply for the competition through a dedicated page on the TNR website where they can enter details of their chosen campaign and describe how winning this competition could benefit their organisation. The campaign must be scheduled to take place before the end of June 2010 and the deadline for submissions is Friday 16th April.  A judging panel will choose five finalists, from which one winner will be announced on Friday 23rd April.

Related Articles:

http://www.prweek.com/uk/news/993821/Week-Charities/

http://www.thirdsector.co.uk/news/Article/992653/Free-communications-support-charities-won/

http://www.consortcharity.com/news-details.aspx?newsID=27997

http://www.ccwa.org.uk/v2/index.php?section_list=News&subsection=CCWA_top_stories&content=2118

http://www.fundingcentral.org.uk/SchemeList.aspx?NB=2&RT=2&BK=4&ST=0&WCU=CBC=View,DSCODE=OTSSCMLIVE,SCHEMEID=248-S34853

Share

This week saw PA Photocall (the sister company of  TNR Communications) work with Frank PR on an exclusive launch of a limited edition ‘Aleksandr talking toy’ due to arrive exclusively at Harrods in time for Christmas.

An Aleksandr Orlov meerkat 'talking toy' in the meerkat enclosure at London Zoo ahead of them going on sale exclusively in Harrods in early December.

An Aleksandr Orlov meerkat 'talking toy' in the meerkat enclosure at London Zoo ahead of them going on sale exclusively in Harrods in early December.

The star of comparethemarket.com’s TV adverts has brokered a deal with the world’s most famous department store to stock a limited number of the furry meerkat toys. Set to be the must-have toy for Christmas 2009, the talking Aleksandr Orlov replica comes complete with his trademark smoking jacket and paisley silk cravat.  Aleksandr’s ‘Simples!’ catchphrase can be heard with a distinctive squeak when his belly is squeezed.

A member of staff at Harrods in London handles one of the limited edition Aleksandr Orlov meerkat 'talking toys'. David Parry/PA Photocall

A member of staff at Harrods in London handles one of the limited edition Aleksandr Orlov meerkat 'talking toys'. David Parry/PA Photocall

PA Photocall were commissioned to capture the talking toy in Harrods department store and London Zoo’s meerkat enclosure with Aleksandr and his real furry friends being introduced for the first time. Photocall photographer David Parry was onsite at 9am to capture the various images, which were sent immediately through to the Press Association picture desk for distribution on the wire. It was no surprise the amount of coverage the celebrity meerkat received within the press including The Metro, Metro Online, Ok Magazine and Virgin media.

PA Photocall also received a 535% increase in visits to their website due to popularity of the images, streaming visits from Twitter, Facebook and forums. Photocall are commissioned for such a broad range of projects that appeal to a wide audience which makes their social media strategy a simple and effective one. This project is a great example of how PR Photography can be great fun and extremely powerful within the media.

Post by Penny Joyner (Marketing Executive for PA Photocall)

Share
National Lottery Love UK Campaign June 2007. Geoff Caddick/PA Photocall

National Lottery Love UK Campaign June 2007. Geoff Caddick/PA Photocall

On this day 3 years ago PA Hostpics was re-launched as PA Photocall and to celebrate this occasion I wanted to take at look at some of vast and varied projects we have been involved with…

I thought I might begin with perhaps PA Photocall’s most iconic image which was commissioned by The National Lottery for their Love UK campaign back in June 2007. English National Ballet’s Swan Lake ballerinas enjoyed a practice session on the Millennium Bridge as part of the new Love UK campaign to celebrate the £20 billion raised by Lottery players for good causes. English National Ballet and the Millennium Bridge had both benefitted from Lottery Funding.

Our seasoned PA Photocall photographer Geoff Caddick captured this beautiful image…

‘As a photographer I am obsessed with symmetry, this image just worked perfectly. You always envisage how you want the photograph to turn out but sometimes it doesn’t always happen that way, this image was everything I hoped it would be.’ Geoff Caddick

One image which highlights the importance of planning your photocall was this shot commissioned by BAA and British Airways to announce the opening of Terminal 5 at Heathrow Airport.

BAA and British Airways announce Terminal 5 at Heathrow opening. Geoff Caddick/PA Photocall March 2007

BAA and British Airways announce Terminal 5 at Heathrow opening. Geoff Caddick/PA Photocall March 2007

The effectiveness of the image is that it gives the impression of a news picture from what is actually a PR set up. The photo was featured in several national newspapers including The Times, The Independent and The Evening Standard.

An image which is my personal favourite and a testament to not having to use branding in your picture to get your message across is that of ‘Ripley’s’ photocall with the worlds smallest road worthy car which we ran riot with in London’s Piccadilly Circus.

The world's smallest car, the Peel 50, which is soon to go on display at Ripley's Believe It Or Not! Museum of oddities, in Piccadilly Circus, London. Carl Court/PA Photocall

The world's smallest car, the Peel 50, which is soon to go on display at Ripley's Believe It Or Not! Museum of oddities, in Piccadilly Circus, London. Carl Court/PA Photocall

The Peel 50 was to be exhibited in ‘Ripley’s Believe it Not’ Museum in London and they wanted to capture a photograph to mark the occasion. PA Photocall photographer Carl Court followed the little car around as it unveiled to the public and caused quite a stir. The beauty of this image is the reactions of the people to the Peel 50 against the London back drop. The image not only got into the national papers and online but was also featured in the BBC programme ‘Have I Got News for you’.

As far as spectacular PR stunts go this year’s highlight was that of Eden TV’s launch back in January. A 16 foot high sculpture of an iceberg featuring a stranded female polar bear and her baby cub floated on the River Thames. The stunt was to mark the launch of Eden, a new digital TV channel devoted to natural history.

 

A 16 foot high sculpture of an iceberg featuring a stranded female polar bear and her baby cub on the River Thames outside the Houses of Parliament to mark the launch of Eden, a new digital TV channel devoted to natural history. Geoff Caddick/PA Photocall

A 16 foot high sculpture of an iceberg featuring a stranded female polar bear and her baby cub on the River Thames outside the Houses of Parliament to mark the launch of Eden, a new digital TV channel devoted to natural history. Geoff Caddick/PA Photocall

After 3 years much has changed and will continue to do so but the ability to be creative, fun and varied will always stay true in the world of PR photography. No one day is the same and each job gives us a new challenge, to that end long may it continue.

Post by Penny Joyner (Marketing Executive for PA Photocall)

Share
British cheese producer Peter Mitchell sits on top of a half tonne Mature Farmhouse Cheddar, which forms part of the World`s Largest Cheese Board record attempt in accordance with the Guiness Book of Records, Covent Garden Piazza, central London. Geoff Caddick/PA Photocall

British cheese producer Peter Mitchell sits on top of a half tonne Mature Farmhouse Cheddar, which forms part of the World`s Largest Cheese Board record attempt in accordance with the Guiness Book of Records, Covent Garden Piazza, central London. Geoff Caddick/PA Photocall

Although the history of the PA Photocall service goes back further under the guise of PA Hostpics and indeed PA Photos, this month sees the 3rd anniversary of the PA Photocall name.

PA Photocall

So along with blowing out birthday candles and wearing a big ‘I am 3′ badge we thought it was as good a reason as any to have a look back over the last three years & what we’ve been doing.

Three years might not seem a long time, but since our relaunch as PA Photocall in Oct 2006, there’s been some big changes in press & PR.

We’ve seen the londonpaper come, and go, a complete redevelopment of the the concept and content of newspaper websites, an industry shaking recession and the explosion of social media – Facebook in it’s modern form is only about a week older than us, while twitter was still known as ‘twtrr’ and had about as many users as vowels..

But however the industry has changed, photos remain important. Video & moving image has become more accessible and that’s something we’ll be doing more of next year. But great photos retain the ability to cut through complex information and campaigns, and convey stories in a way people intuitively respond to.

Our first PA Photocall commission was to photograph a giant cheese board. However random that might seem, I look at that shot 3 years later & it still stands up; bright, simple, quirky, fun. Any new PR shot that does the same will always have a good chance of succeeding.

Is it harder to get PR pictures into the newspapers now than it was 3 years ago? Yes and no. There’s more pictures around now than ever before & technology makes them easier and quicker to take & distribute. As a result the papers have become more demanding, a celebrity just standing there in a branded t-shirt isn’t going to do it anymore. But good launches, stunts, events and news, where the picture has been an integral part of the activity rather than just tacked on at the end are still in demand. In an age where papers are employing less & less staff photographers, PR photos are important again.

Looking through the files I also see later that first PA Photocall week in October 2006 we also photographed the Sugababes. Three years on the Sugababes have just announced another line up change, yet in a strange way remain exactly the same. There’s something similar with good PR photography. To a certain extent the more things change, the more they stay the same.

The Sugababes smile backstage at the Girlguiding UK Big Gig, an exclusive concert for Girlguiding UK members at Wembley Arena, London. Rebecca Reid/PA Photocall

The Sugababes smile backstage at the Girlguiding UK Big Gig, an exclusive concert for Girlguiding UK members at Wembley Arena, London. Rebecca Reid/PA Photocall

However they’re taken or however they’re distributed, or however they’re seen, at the end of the day the quality of the pictures & the ideas behind them are still the most important thing. Here’s to the next 3 years!

 

Post by Tim Kerr (Director & Picture Editor of PA Photocall)

Share
Keira Knightley in front of the now infamous enhanced poster for King Arthur. Press Association Images

Keira Knightley in front of the now infamous enhanced poster for King Arthur. Press Association Images

After reading an article in today’s Independent about the Liberal Democrats’ call to put a curb on airbrushing in advertising it made me think of all the times that we, PA Photocall, get asked to’Photoshop in’ or ‘Photoshop out’, this, that and the other.

However, for newspaper pictures we draw the line at removing flabby waists, bruises and discoloured teeth.  There is an un-written rule when it comes to news pictures; ‘No doctoring’.  This is simply because once you manipulate the picture ­ removing things in background, adding logos, taking out wrinkles – it no longer represents the news scene as captured, but creates a biased fantasy. 

 

Newspapers rely on the integrity of their content and pictures are at the forefront of that. Glossy magazines might be able to have retouched cover stars but papers have to walk a tighter line.

This is something that is surprisingly not widely known outside the newsroom. Quite often, when a client has booked a ‘celeb’ to front a campaign ­ pictures of which are to be used for editorial purposes – it can quickly materialise that the ‘celeb’ is not so perfect after all. 

Post by Nicola Charalambous (Picture Editor of PA Photocall)

Share

 

Mahomed-Abraar Khatri, 18 and Vargo, the first guide dog in the UK to enter a mosque, are welcomed into the Bilal Jamia mosque in Leicester by Head Imam Hafiz Rehman.

Mahomed-Abraar Khatri, 18 and Vargo, the first guide dog in the UK to enter a mosque, are welcomed into the Bilal Jamia mosque in Leicester by Head Imam Hafiz Rehman.

PA Photocall client The Guide Dogs for the Blind Association has won an award for their campaign on ‘Vargo, the first guide dog to enter a Mosque’ which aimed to tackle the misunderstanding of the work of guide dogs.

The organisation picked up the 2009 Excellence award from the Chartered Institute of Public Relations, beating seven other finalists in the category of Best Campaign £10k and under.
With the support of his local mosque, a visually impaired teenager from Leicester applied for a guide dog and his story was used to highlight the fact that guide dogs are working animals enhancing a person’s independence. To allow Mohamed to take his dog Vargo into the mosque for worship, a historic fatwa was issued, changing ancient Shari’ah law. ‘A strong, well planned and managed piece of co-operative work which achieved enormous press coverage and is now being used as an example around the world. Profound cultural change achieved for just over £1,000.

PA Photocall were commissioned by Guide Dogs for the photography for the campaign. As a result PA Photocall’s pictures were central to the success of the launch, with coverage including The Times, The Daily Star Online, MSN, AOL Online and This is Grimsby to name but a few. It is a good example to the fact that there is no glass ceiling for PR.

Post by Penny Joyner (Marketing Executive for PA Photocall)

Share