Archive for April, 2012

Pictures of celebs on holiday used to be the currency of professional paparazzi. Hiding behind a parasol with a long lens, bribing bell boys and blagging access to private beaches were all part of the dark arts of securing the glamorous images of holidaying stars sunbathing in the Seychelles, frolicking in Florida or canoodling in the Caribbean.

Newspapers and magazines knew a good thing when they saw it and such shots became a staple of tabloid coverage. They provided and instant hit of sun, sea, sand and celebrity: with the most sought after exclusives snapped up for large sums.

Sunbathing on the beach

Some celebs sued, some decided to stay indoors. The smarter, or perhaps the more desperate, decided to get in on the act themselves. The art of the set up pap shot was born, with agency photographers commissioned (at arm’s length) by the celeb or their PR, to photograph their holiday in a flattering light in return for the newspaper coverage and sometimes a share of the profits.

Now, the celeb agencies are being cut out. Via Instagram, Facebook and Twitter, celebs are taking and uploading their own holiday snaps and sharing them with their audience (and the tabloids) directly.

Rihanna has recently been posting snaps of her holidays to her near 55 million worldwide Facebook fan base, while British favourite Kelly Brook has been uploading her ubiquitous bikini shots from the beaches of Brazil and elsewhere on Tumblr. The previously social media shy Beyoncé also got in on the act, launching her official Tumblr site with a host of personal photos. All have been lapped up by the UK tabloid press, almost unable to believe their luck at a stream of A list images delivered to them free of fees and legalities.

However, while the papers revel in free photo spreads now, they’ll surely be wise to the longer term situation it creates. Like in so many areas of this new 21st century media, the traditional channels of photo distribution are becoming secondary. The ability to connect directly with fans has made Rihanna and others their own publishing houses. Celebs are publishing on their own terms, using exclusive photos, not as something to be protected and controlled, but as free content to share and widen their fan-base and their ‘brand’. Social media has been the game-changer creating a new mind-set that would have been unthinkable just a few years ago.

And it’s not just sun kissed celebs. Although The Sun bought up the rights to Bolton footballer Fabrice Muamba’s story of his recovery from a cardiac arrest on the pitch, the first pictures of Muwamba following his recovery were issued by his fiancée on Twitter . What, in a previous era would have been an exclusive photo worth maybe several hundred thousand pounds, now snapped on a smart-phone and issued for free on Twitter. Amid the mass goodwill and concern that Muwamba’s fight for life generated, it seemed a fitting touch.

Post by Tim Kerr, Joint Managing Director @ TNR Communications

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One of the areas that particularly interests me is online video and the capacity of the internet to change how we consume media. Something that is very much in its infancy, but with the potential to change the way brands engage with people is Internet Television or Smart TV’s.

Manufacturers are continuing to developing TV sets that can be connected directly to the internet. It is providing the audience with another way to instantly access HD TV programmes, movies or other video platforms like YouTube.

This is an area that programme and content producers are starting to react to by creating content that can be viewed as an alternative to what we deem standard broadcast programming. The modern capability and widespread accessibility of the internet is allowing us as consumers more choice than ever when it comes to viewing content in our homes. In regard to films, this is already the case, with the success of companies like Netflix, Apple & Lovefilm proving the concept is popular.

This is a significantly interesting move for brands as they can become content producers themselves. It gives them the opportunity to have their brand on the big screen in people’s homes, without it necessarily needing a traditional editorial value. There is a lot of scope for brands to be creating new content that help to engage and entertain their audience in their own homes – potentially with their own channels.

Will this content resonate more with audiences when they are viewing it on television, or will TV just be seen as another platform for viewing content like a tablet? Either way it is reinforcing the growing need and demand for video, and is opening a door for brands to become content producers themselves.

Post by Alex Waite, Marketing Executive @ TNR Communications

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After much hype, controversy and general chit chat, BBC Breakfast has finally moved to Salford. 

The move has been planned for some years and is part of the BBC’s £1.5billion plan to shift 50% of its programming out of London by 2016.  BBC Breakfast joins 5 Live and the Children’s department at the Media City complex in Salford, Manchester.

But what does this all mean for the wider media landscape?

This grand plan by the BBC goes some way to squash the London bias within the media industry, which is all good and well but will the show now have a Manchester slant?  The Mail Online reported that the first show from Salford was dominated by North-West guests and the show’s former sports presenter Chris Hollins openly said this wasn’t an editorial decision, more a political one.  Hollins made a good point when he said, ‘it doesn’t take a brain surgeon to say that it will be practically impossible to get the Prime Minister on set, as we do at the moment’.

At TNR we often pitch guests to relevant broadcast media, including BBC Breakfast.  It will be interesting to see, over the coming months, how Breakfast manages its sofa guests and whether there will be a northern bias.  Even if this bias does arise, isn’t it about time?  This media growth in the north has been a long time coming and there are BBC employees excited about the move, including new presenter Susanna Reid who said, “BBC Breakfast really connects with its audience. We have fantastic, loyal, interested and engaged viewers who keep in touch regularly”

There have been other talking points flying around about the first show, from the chilly weather to the ‘crime land’ of Salford, but I think it is too soon to start speaking negatively about the move.  It’s surely going to bring more status to other areas in the UK and if the BBC can make it work it will certainly prove all the doubters wrong, including Hollins.

As Reid said above, Breakfast does connect with around 1.5 million average daily audience and they provide quality guests to discuss news of the day.  Ultimately, brands and PRs are going to have to be willing to urge spokespeople to travel north, whether that is celebrities or business types.  There is no doubt the BBC will strive to keep standards high.  Given time, I believe it will be as if they never left London.

Post by Daniele Baron, Production Assistant @ TNR Communications

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