Archive for March, 2011

The press release has been in use since the early 1900s and, although it has undergone some modification, the medium has essentially stayed the same – until now.   Today’s PRs are increasingly using Social Media Releases (SMRs), sometimes also referred to as Social Media News Releases.

The differentiating feature of an SMR is the variety of multimedia elements that can be embedded.  They can contain video, photos, graphics and audio and their objective is really to aid distribution, use, and re-distribution through online target audiences such as bloggers, industry websites, social media sites and online news sites. The press release still appears to be flourishing with newsrooms, as long as the content is of a high quality and well targeted.

The long-standing argument about the survival of the press release in the age of online and social media still rolls on, but I do believe there is still a place for the traditional press release. Social media news releases, although short and snappy, don’t appear to be a replacement but rather another platform or avenue for engagement.

Back in the day the VNR, or video news release, was deemed the threat to the press release. Whilst the VNR still has a major role to play, it certainly did not replace the press release – and SMRs will not either.  In reality PR professionals have to cater to all audiences in both traditional and social media, online and offline.

The social media release does, however, have a significant role in the communication toolboxes of PRs – but SMRs should be used to complement, rather than replace, the press release.  Mastering both mediums enables PRs to meet the needs of those who want to receive traditional press releases by email, as well as those who will benefit from the interactivity of the social media version.

Distribution is also evolving; emailing is becoming the archaic method, news wires and online press offices are becoming the distribution method of choice. For journalists to consider your news story, making their life easy is key. News wires are used around the world and it is always advised to get content on the wires in whatever format is possible. However, the new emerging distribution method is the online press office: a tailored website containing all of your content around a PR campaign including press release, images and video (broadcast and online) that journalists can download. The advantages of the OPO are numerous, allowing PRs not only to house all  content in one beautifully designed and branded place, but also enabling them to download reports to find out who has downloaded what and when. This report can then support your sell in and media monitoring activity for the campaign.

When it comes to PR activity it is simply not enough to only consider what you may undertake.  Your hard work will be overlooked if you do not also consider how to get it out there and in what format.

Post by Penny Joyner (Marketing Executive @ TNR Communications)

Share

The Hipstamatic camera iPhone app was one of the most well reviewed & most downloaded iPhone apps of 2010.

Becoming the cool app of choice the Hipstamatic lets an iPhone camera create square Polaroid style images soaked in over saturated colours, washes, blurs and other suchlike effects. All producing a treasure trove of photos more akin to an attic shoebox of 1970′s holiday snaps than modern digital images.

A similar retro style has been utilised by bands such as Kings of Leon and The Vaccines. The Hipstamatic received arguably its biggest stamp of approval when the Damon Albarn, used the look for photos that accompanied each individual song on his Gorrillaz iPad recorded album ‘The Fall’ released as a free fan download on Christmas Day.

Even more notably the app was also used by New York Times photographer Damon Winter to document the day-to-day lives of US soldiers in northern Afghanistan. In reaching for his iPhone rather than his full professional kit Winter succeeded in producing a body of work that physically and emotionally illustrated the war in a new way. Classic square format compositions combined with Hipstamatic effects seemed to  portray a conflict and a landscape in limbo between past and present.

On a less serious note, the Hipstamatic app also comes with it’s own retro history myth. Its developers Ryan Dorshorst and Lucas Buick claiming it came about as a tribute to long lost cottage industry camera enthusiasts Bruce and Winston Dorbowski who in the early 1980′s holed up in a Wisconsin cabin developing new cheap plastic cameras with interchangeable lenses. With just 157 prototypes made they were both killed in a road accident, their legacy kept alive by a reclusive younger brother until Dorshorst and Buick came calling.

Like the Hipstamtic images themselves the story is not a little blurry but as a viral marketing ploy it’s added some entertaining hipster hoaxing that Joaquin Phoenix could learn from. The myth then took on a myth of it’s own when it was claimed that Dorshorst and Buick weren’t real either…

Either way the Hipstamatic app fits with both our incessant demand for speed, convenience and novelty with a hankering after something tangible and personal. There has always been a lingering fear amongst some photography enthusiasts that digital would destroy the nostalgia that good film photography inherently carried. If so the Histamtic app is perhaps the perfect resolution.

The Orange Dot Gallery in London brought Hipstamatic photography out of the online world by hosting a full exhibition of Hipstamatic based photos. Showcasing 157 prints (as a nod to the Dorbowski brothers story) at their Bloomsbury space.

http://hipstamaticapp.com/
http://lens.blogs.nytimes.com/2010/11/21/finding-the-right-tool-to-tell-a-war-story/
http://www.orangedotgallery.co.uk/
http://www.flickr.com/groups/hipstamatic/

Post by Tim Kerr (Head of Photography @ TNR Communications)

Share