Archive for November, 2009

I wrote an entry for this blog a few months ago to commemorate the anniversary of Elvis Presley’s death ‘Elvis from the Beginning’. The photographer; Albert Wertheimer, whose pictures I wrote about, is now showing a selection of his photographs of Elvis from the same period at an exhibition at Proud Chelsea in London.

One of the many auspicious things about these photographs is that they have never been shown in this way in the UK before.  Another is that the new Proud gallery chose to open with this exhibition, which to me, re-affirms Presley’s legend.

These candid shots of Elvis were taken during a time before the Colonel Tom Parker, his manager, put restrictions on the photography of his charge.  Later, only approved and carefully managed publicity shots of Presley were made available for publication – leading the way for the management of today’s celebrities who constantly control the image of their stars.

These photos show that Elvis did not begin his career as the product of a svengali, revealing that he had his own unique style, was charismatic beyond belief, and that his ‘act’ was not something that was cultivated, but sheer, raw talent.

In later years, Elvis was portrayed as super-human and untouchable.  He was trapped in his fame rendering him unable to walk down the street – unless he was in disguise.  So these shots of him as a ‘normal’ person eating in a diner, travelling on a train with the rest of the public, standing on the street outside his hotel, and intimate shots of him at home with his family are fantastic.  The fact that he was so photogenic, make these shots even more enjoyable to look at.

The exhibition runs from 18th November until 31st January.

Post written by Nicola Charalambous (Picture Editor of PA Photocall)

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We were lucky enough to work with Guinness World Records again this year as they celebrated their annual event ‘Guinness World Records Day’ on Thursday 12th November. An estimated 200,000 people around the world came together and attempted a wide range of records in celebration of the fifth annual Guinness World Records Day. The global event attracted record breakers from every continent striving to make their mark in the famous book.

TNR worked closely with the Guinness World Records Team across their TV, Online and Radio PR and enjoyed yet another very successful year achieving national and international coverage.

It seems highly unfair that someone should have this much fun at work as the TNR production crew travelled the far reaches of the globe to film weird and wonderful record attempts, including;

The Most Nationalities in a Sauna – Finland;

The Highest Standing Jump on a Bicycle in Italy;

and The Furthest Distance to Pull a Bus with your Hair in London. 

The Ironman from Leicester, Manjit Singh attempts the record for the furthest distance pulling a double-decker bus by the hair at Battersea Park in London. Press Association Images

The Ironman from Leicester, Manjit Singh attempts the record for the furthest distance pulling a double-decker bus by the hair at Battersea Park in London. Press Association Images

The Romance was truly brought back to London’s St Pancras international railway station, in an attempt to set a Guinness world record for the largest group hug. The record was set by 112 people hugging for one minute.

Guinness world record for the largest group hug. Press Association Images

Guinness world record for the largest group hug. Press Association Images

The footage was picked up by the International London bureaux’s, the UK’s national and regional TV stations as well as multiple online editorial sites.  The radio day achieved 29 radio interviews with BBC and large commercial stations across the country.

Post by Penny Joyner (Marketing Executive for TNR Communications)

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I had the pleasure of seeing the National Portrait Gallery Taylor Wessing Photographic Portrait Prize 2009 exhibition last weekend.

http://www.npg.org.uk:8080/photoprize/site09/exhibition2_exhibitors.php 

It’s a fantastic collection of contemporary editorial, advertising and fine art photography that all fits within the wider theme of portraiture.

The prize winning shots can be seen here;

http://www.npg.org.uk:8080/photoprize/site09/exhibition2_winners.php

All the four main prize winning shots are studies in simplicity, highlighting how much can be achieved with the most clear of compositions.

Interestingly all capture young people, some in better places than others, but each with a sense of intrigue that pull the viewer into the frame.

However my favourite shot wasn’t one of the winners, but ‘Female Boxer No.3 (detail)’ by Inzajeano Latif 2009; 

http://www.npg.org.uk:8080/photoprize/site09/exhibition2.php

To be honest this link doesn’t really do it justice, better reproductions are available if you click through the Exhibitors List page, or as a thumbnail on the National Portrait Gallery Website but it’s a wonderful photograph that turns the traditional boxing photography on it’s head. There are echoes of Dutch Masters painting to the colour and composition. The greys of the boxers sweat pants pick up the blue greys of the gym background & an orange beanie hat & bandages frame the face and the fists. Meanwhile her positioning allows just enough space for the viewer to sense a jab might yet be thrown…

As with all photos some shots in the exhibition are deliberately created with models others are more documentary in format. The title makes me think this shot is of the latter category. Maybe it’s purely about it’s sitter, but like all good photos it inevitably becomes more than that; gender, identity, preconceptions. Either way it doesn’t really matter, Latif has produced a portrait that punches above it’s weight and beyond it’s subject.

The exhibition runs at the National Portrait Gallery until 14th February 2010.

 Post by Tim Kerr (Director & Picture Editor at PA Photocall)

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Irving Penn; the father of modern day fashion photography, known for his celebrity portraits, fashion photographs, still life work and images of remote places died last Wednesday at his home in Manhattan aged 92.

A curator holds a photograph of Kate Moss by Irving Penn at Christie's in London, part of Gert Elfering's collection. Press Association

A curator holds a photograph of Kate Moss by Irving Penn at Christie's in London, part of Gert Elfering's collection. Press Association

Penn’s images inspired photographers for generations from all over the world to pick up the camera and try to capture their subjects in the same simple, clear and yet incredibly detailed way that only Penn could achieve. He brought about a whole new perspective to postwar portraiture. In a time when celebrities, politicians and generals were able to hide behind the façade of perfect features and unblemished faces, Penn sought to break down the walls of fame and power and capture their true selves.

He liked to take his subjects out of their natural settings and put them against a stark studio background. To expand his surroundings, Penn constructed sets of upright angled backdrops. Posing his subjects within these tight, unorthodox spaces, he brought an unprecedented sense of drama to his portraits, driving the viewer’s focus onto the person and their expression.

Penn’s talent earned him the widespread admiration of Vogue readers during his long time with the magazine, beginning in 1943. 

Not only was he one of the most influential fashion photographers of the 20th century but he was widely recognised in the art world for his still life photography; his images have been exhibited in museums and galleries and are prized by collectors.

His career at Vogue spanned a number of radical transformations in fashion and its depiction, but his style remained remarkably constant. Imbued with calm and decorum, his photographs often seemed intent on rebelling against fashion. His fashion, beauty and still life images had a unique style, with the models always carefully posed in specific positions. He very rarely used movement to portray youthfulness or vigour, rather somehow bringing it out of his subjects instead; he even turned the rough-and-ready members of the Hells Angels motorcycle club into the graphic equivalent of a Greek mural.

 His work with cosmetic giant Clinique since 1968 set the benchmark for high-end, still life advertising campaigns with this style and lighting being copied all over the world.

He belonged to that elusive and limited club of photographers who even when his work was uncredited – you knew it was a Penn. With his death comes not only the end to a stunning career in photography and art, but the beginning of what will sure to be many retrospective’s on his work.

An exhibition at the National Portrait Gallery next February is still set to go ahead and will surely be one not to miss.

Post by Penny Joyner (Marketing Executive of PA Photocall)

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This week saw PA Photocall (the sister company of  TNR Communications) work with Frank PR on an exclusive launch of a limited edition ‘Aleksandr talking toy’ due to arrive exclusively at Harrods in time for Christmas.

An Aleksandr Orlov meerkat 'talking toy' in the meerkat enclosure at London Zoo ahead of them going on sale exclusively in Harrods in early December.

An Aleksandr Orlov meerkat 'talking toy' in the meerkat enclosure at London Zoo ahead of them going on sale exclusively in Harrods in early December.

The star of comparethemarket.com’s TV adverts has brokered a deal with the world’s most famous department store to stock a limited number of the furry meerkat toys. Set to be the must-have toy for Christmas 2009, the talking Aleksandr Orlov replica comes complete with his trademark smoking jacket and paisley silk cravat.  Aleksandr’s ‘Simples!’ catchphrase can be heard with a distinctive squeak when his belly is squeezed.

A member of staff at Harrods in London handles one of the limited edition Aleksandr Orlov meerkat 'talking toys'. David Parry/PA Photocall

A member of staff at Harrods in London handles one of the limited edition Aleksandr Orlov meerkat 'talking toys'. David Parry/PA Photocall

PA Photocall were commissioned to capture the talking toy in Harrods department store and London Zoo’s meerkat enclosure with Aleksandr and his real furry friends being introduced for the first time. Photocall photographer David Parry was onsite at 9am to capture the various images, which were sent immediately through to the Press Association picture desk for distribution on the wire. It was no surprise the amount of coverage the celebrity meerkat received within the press including The Metro, Metro Online, Ok Magazine and Virgin media.

PA Photocall also received a 535% increase in visits to their website due to popularity of the images, streaming visits from Twitter, Facebook and forums. Photocall are commissioned for such a broad range of projects that appeal to a wide audience which makes their social media strategy a simple and effective one. This project is a great example of how PR Photography can be great fun and extremely powerful within the media.

Post by Penny Joyner (Marketing Executive for PA Photocall)

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